Books with author Emily Dickinson

Emily Dickinson, poet of the interior life, imagined words/swords, hurling barbed syllables/piercing. Nothing about her adult appearance or habitation revealed such a militant soul. Only poems, written quietly in a room of her own, often hand-stitched in small volumes, then hidden in a desk drawer, revealed her true self. She did not live in time, as did that other great poet of the day, Walt Whitman, but in universals. As she knowingly put it: "There is one thing to be grateful for--that one is one's self and not somebody else."Dickinson lived and died without fame: she saw only a few poems published. Her great legacy was later rescued from her desk drawer--an astonishing body of work revealing her acute, sensitive nature reaching out boldly from self-referral to a wider, imagined world. Her family sought publication of Dickinson's poetry over the years, selecting verses, often altering her words or her punctuation, until, in 1955, the first important attempt was made to collect and publish Dickinson's work, edited by Thomas H. Johnson for the Belknap Press of Harvard University Press.Now, after many years of preparation by Ralph Franklin, the foremost scholar of Dickinson's manuscripts, a new comprehensive edition is available. This three-volume work contains 1,789 poems, the largest number ever assembled. The poems, arranged chronologically, based on new dating, are drawn from a range of archives, most frequently from holographs, but also from various secondary sources representing lost manuscripts. The text of each manuscript is rendered individually, including, within the capacity of standard type, Dickinson's spelling, capitalization, and punctuation. Franklin gives Dickinson's alternative readings for the poems, her revisions, and the line and page, or column, divisions in the source. Each entry identifies Franklin's editorial emendations and records the publication history, including variants. Fourteen appendices of tables and lists give additional information, including poems attributed to Emily Dickinson. The poems are indexed by numbers from the Johnson edition, as well as by first lines.Franklin has provided an introduction that serves as a guide to this edition and surveys the history of the editing of Dickinson's poems. His account of how Dickinson conducted her workshop is a reconstruction of a remarkable poetic life.

The eagerness with which the first volume of Emily Dickinson's poems has been read shows very clearly that all our alleged modern artificiality does not prevent a prompt appreciation of the qualities of directness and simplicity in approaching the greatest themes—life and love and death. That 'irresistible needle-touch,' as one of her best critics has called it, piercing at once the very core of a thought, has found a response as wide and sympathetic as it has been unexpected even to those who knew best her compelling power. This second volume, while open to the same criticism as to form with its predecessor, shows also the same shining beauties.

Excerpt from Letters of Emily Dickinson, Vol. 1 of 2The lovers of Emily Dickinson's poems have been so eager for her prose that her sister has gathered these letters, and committed their preparation to me.Emily Dickinson's verses, often but the reflection of a passing mood, do not always completely represent herself, - rarely, indeed, showing the dainty humor, the frolicsome gayety, which continually bubbled over in her daily life. The sombre and even weird outlook upon this world and the next, characteristic of many of the poems, was by no means a prevailing condition of mind; for, while fully apprehending all the tragic elements in life, enthusiasm and bright joyousness were yet her normal qualities, and stimulating moral heights her native dwelling-place. All this may be glimpsed in her letters, no less full of charm, it is believed, to the general reader, than to Emily Dickinson's personal friends. As she kept no journal, the letters are the more interesting because they contain all the prose which she is known to have written.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This complete compendium of Emily Dickenson's poetry offers the reader a vivid portrait of one of Massachusetts' most famous and enigmatic poets. Although a greatly talented writer, Emily Dickenson lived most of her life in private seclusion, in contrast to the culture of the time which emphasized community and socializing. Throughout her life, Emily's family ensured her care and comfort; she lived a life characterized by quiet self-seclusion. Emily's early life ensured a great standard of education, with her aunts in particular noting her inclination toward musical and literary interests. Contemporary scholars generally agree that Emily Dickenson's isolation was chiefly the result of a persistent depression. The death of a school principal she admired, and of several friends, plummeted her toward isolation during the prime of her life. Despite her illness, she managed to travel with her family to see life beyond her hometown of Amhurst and publish a few of her poems.

This 770 page book contains hundreds of poems composed by Emily Dickinson between the years 1850-1886, plus many that were found after her death with unknown dates of composition. From the Introduction by Thomas Johnson: "The text for this edition reproduces solely and completely that of the 1955 variorum edition, but intended as a reading text, it selects but one form of each poem. Selection becomes mandatory for the semi-final drafts. Though by far the largest number of packet copies exist in but a single fair-copy version, several exist in semifinal form: those for which marginally the poet suggested an alternate reading for one word or more. In order to keep editorial construction to a bare minimum, I have followed the policy of adopting such suggestions only when underlined, presumably Emily Dickinson's method of indicating her own preference. Rough drafts, of which there are relatively few, are allowed to stand as such, with no editorial tinkering. The date at the left, following each poem, is that conjectured for the earliest known manuscript; that to the right is the date of first publication. The order of the poems is that of the Harvard (variorum) edition."