Books with author Alison Lurie

Are some of the world's most talented children's book authors essentially children themselves? In this engaging series of essays, Pulitzer Prize-winning author Alison Lurie considers this theory, exploring children's classics from many eras and relating them to the authors who wrote them, including Little Women author Louisa May Alcott and Wizard of Oz author Frank Baum, as well as Dr. Seuss and Salman Rushdie. Analyzing these and many others, Lurie shows how these gifted writers have used children's literature to transfigure sorrow, nostalgia, and the struggles of their own experiences.

Are some of the world's most talented children's book authors essentially children themselves? In this engaging series of essays, Pulitzer Prize-winning author Alison Lurie considers this theory, exploring children's classics from many eras and relating them to the authors who wrote them, including Little Women author Louisa May Alcott and Wizard of Oz author Frank Baum, as well as Dr. Seuss and Salman Rushdie. Analyzing these and many others, Lurie shows how these gifted writers have used children's literature to transfigure sorrow, nostalgia, and the struggles of their own experiences.

In sixteen spirited essays, Pulitzer Prize-winning novelist Alison Lurie, who is also one of our wittiest and most astute cultural commentators, explores the world of children's literature--from Lewis Carroll to Dr. Seuss, Mark Twain to Beatrix Potter--and shows that the best-loved children's books tend to challenge rather than uphold respectable adult values.

Sleeping beauties? Not Clever Gretchen or Kate Crackernuts or Manka or any of the other young heroines in this wonderful collection of folktales. Active, witty, brave, and resourceful, these girls and young women can fight and hunt, defeat giants, answer riddles, outwit the Devil, and rescue friends and family from all sorts of dangers and evil spells. These stories and many others like them were gathered by scholars from all the countries of Europe, but are usually left out of the popular collections of the nineteenth and early twentieth centuries, when women were supposed to be beautiful, innocent, and passive.

The stories of magic and transformation that we call fairy tales are among the oldest known forms of literature, and many the most popular. "Jack and the Beanstalk," "Sleeping Beauty," "Little Red Ridinghood"--these ageless tales seem to have been written an almost magically long time ago. Yet fairy tales are still being created to this very day. And while they are principally directed to children and have child protagonists, these modern fairy tales, like the classics, have messages to those of all ages. In The Oxford Book of Modern Fairy Tales, Alison Lurie has collected forty tales that date from the late nineteenth century up to the present. Here are trolls and princesses, magic and mayhem, morals to be told and lessons to be learned--all the elements of the classic fairy tale, in new and fantastical trappings. In Charles Dickens's "The Magic Fishbone," we find an unusually pragmatic princess who uses her one wish only after she has tried to solve her family's problems through hard work. Angela Carter's "The Courtship of Mr. Lyon" is a "Beauty and the Beast" tale with a contemporary twist, in which Beauty leaves Beast to live the high life, becoming a society brat who "smiled at herself in mirrors too much." And in T.H. White's "The Troll," we find out how his father killed the troll that tried to eat him. In these enchanting pages we also see how modern writers have taken the classic fairy tale and adapted it to their times in a variety of ways. Francis Browne, for example, takes a poke at Victorian standards of beauty in "The Story of Fairyfoot," about a young prince who is cast out of the kingdom of Stumpinghame because, unlike the fashion of the town, his feet are too small. Some writers, such as Ursula Le Guin, have taken familiar myths and turned them upside down. In Le Guin's "The Wife's Story," a mother sees the horrible transformation of her husband into "the hateful one", and then watches her sister and neighbors mob and kill this "creature whose hair had begun to come away all over his body...the eyes gone blue...staring at me out of that flat, soft, white face." And L.F. Baum's "The Queen of Quok," contains a castle and royal characters in a kingdom run by common sense and small-town American values. At one point the boy king of Quok has to borrow a dime from his counsellor to buy a ham sandwich, and greed transforms his young queen-to-be into a haggard old woman. With tales from the likes of Nathaniel Hawthorne, Oscar Wilde, Carl Sandburg, James Thurber, Donald Barthelme, Louise Erdrich, and many more, The Oxford Book of Modern Fairy Tales brings us through the modern-day world of the supernatural, the mystical, the moral, and reminds us that fairy tales are still very much alive.

The stories of magic and transformation that we call fairy tales are among the oldest known forms of literature, and are also among the most popular. "Jack and the Beanstalk," "Sleeping Beauty," "Little Red Ridinghood"--these ageless tales seem to have been written an almost magically long time ago. Yet fairy tales are still being created to this very day. And while they are principally directed to children and have child protagonists, these modern fairy tales, like the classics, have messages to those of all ages. In The Oxford Book of Modern Fairy Tales, Alison Lurie has collected forty tales that date from the late nineteenth century up to the present. Here are trolls and princesses, magic and mayhem, morals to be told and lessons to be learned--all the elements of the classic fairy tale, in new and fantastical trappings. In Charles Dickens's "The Magic Fishbone," we find an unusually pragmatic princess who uses her one wish only after she has tried to solve her family's problems through hard work. Angela Carter's "The Courtship of Mr. Lyon" is a "Beauty and the Beast" tale with a contemporary twist, in which Beauty leaves Beast to live the high life, becoming a society brat who "smiled at herself in mirrors too much." And in T.H. White's "The Troll," we find out how his father killed the troll that tried to eat him. In these enchanting pages we also see how modern writers have taken the classic fairy tale and adapted it to their times in a variety of ways. Francis Browne, for example, takes a poke at Victorian standards of beauty in "The Story of Fairyfoot," about a young prince who is cast out of the kingdom of Stumpinghame because, unlike the fashion of the town, his feet are too small. Some writers, such as Ursula Le Guin, have taken familiar myths and turned them upside down. In Le Guin's "The Wife's Story," a mother sees the horrible transformation of her husband into "the hateful one", and then watches her sister and neighbors mob and kill this "creature whose hair had begun to come away all over his body...the eyes gone blue...staring at me out of that flat, soft, white face." And L.F. Baum's "The Queen of Quok," contains a castle and royal characters in a kingdom run by common sense and small-town American values. At one point the boy king of Quok has to borrow a dime from his counselor to buy a ham sandwich, and greed transforms his young queen-to-be into a haggard old woman. With tales from the likes of Nathaniel Hawthorne, Oscar Wilde, Carl Sandburg, James Thurber, Donald Barthelme, Louise Erdrich, and many more, The Oxford Book of Modern Fairy Tales brings us through the modern-day world of the supernatural, the mystical, the moral, and reminds us that fairy tales are still very much alive.

Are some of the world's most talented writers of children's books essentially children themselves? In this engaging series of essays, Pulitzer prize-winning author Alison Lurie considers this theory, exploring children's classics from many eras and relating them to the authors who wrote them, including Louisa May Alcott, creator of Little Women, and Salman Rushdie and his Haroun and the Sea of Stories, Dr Seuss and J. K. Rowling. In analysing these and many other authors, Alison Lurie shows how these gifted writers have used children's literature to transfigure sorrow, nostalgia and the struggles of their own experience.

Generations of readers have traveled to Neverland and all the secret places of a child's heart. A story rich in adventure, humor, and sadness, J.M. Barrie's masterpiece remains a stirring call to flights of imagination.With a magic and emotional appeal unmatched by any other story, Barrie’s Peter Pan speaks directly to childhood’s dreams and desires with an imaginative genius that evokes both laughter and tears. Peter, the boy would wouldn’t grow up; Nana, the Darling children’s nurse and pet Newfoundland; deliciously dreadful Captain Hook, who is stalked by a crocodile with a clock in his stomach; and Tinker Bell, “quite a common fairy,” who swears like a sailor and is murderously jealous—these characters of startling originality are rich, funny, mischievously insightful, and a joy to read about again and again. The result is a masterpiece of literature that has been working its timeless wonderment on us since it first appeared. With an Afterword by Alison Lurie Illustrated by Sergio Martinez

The stories of magic and transformation that we call fairy tales are one of the oldest known forms of literature, and also one of the most popular and enduring. While most people think of the fairy tale as having come into existence almost magically long ago, they are in fact still being created. And while they are principally directed to children and have child protagonists, these modern fairy tales, like the classics, have messages to those of all ages. In The Oxford Book of Modern Fairy Tales, editor Alison Lurie collects such modern stories of the late nineteenth century up to the present. Here are trolls and princesses, magic and mayhem, morals to be told and lessons to be learned--all the elements of the classic fairy tale, in new and marvelous stories. Including the works of Charles Dickens, Nathaniel Hawthorne, George MacDonald, Mary De Morgan, H.G. Wells, Robert Louis Stevenson, Joan Aiken, Carl Sandburg, Angela Carter, James Thurber, Louise Erdrich, and many more, here is a treasury of tales that, though set in an unreal and irrelevant universe, have much to tell us about the real world in which we live.

Are some of the world's most talented writers of children's books essentially children themselves? In this engaging series of essays, Pulitzer prize-winning author Alison Lurie considers this theory, exploring children's classics from many eras and relating them to the authors who wrote them, including Louisa May Alcott, creator of Little Women, Dr. Seuss and J. K. Rowling. In analysing these and many other authors, Alison Lurie shows how these gifted writers have used children's literature to transfigure sorrow, nostalgia and the struggles of their own experience.